2025년 3월 고3 모의고사 변형 (18-30번)

Dear School Officials, Thank you for ____ to participate in the upcoming 2025 Student Art Exhibition.

Our organization's ____ has been a platform for showcasing the artistic talents of young students for a decade.

After reviewing the ____ we've received, we can't wait to exhibit your students' work.

However, please note that there ____ been a change to the submission deadline for your students' work.

The deadline is April 15th instead of March ____.

Please send the work to the address of which we ____ already notified you.

Sam ____ always dreamed of becoming a musical actor, and today was his big chance — a life­changing audition.

He had practiced endlessly and was perfectly ____.

He couldn’t even think of not ____ the role.

When his name was ____, Sam stepped onto the stage, with his head held high and his shoulders held back.

The judges’ eyes were fixed on him as he appeared on the ____.

But then, ____ warning, his mind went completely blank.

The opening line he had rehearsed so many times ____ come to him.

He opened his mouth, but no sound ____ out. Frustration started to set in.

In the ____, Sam couldn’t believe that he couldn’t say a single line.

People have an anti-persuasion radar or defense system that goes off ____ someone is trying to persuade them.

The ____ something or someone disagrees with them, the less likely they are to listen.

Consequently, one reason change is so hard is that people are unwilling to ____ consider information that goes against their beliefs.

As a ____, when dealing with opposing viewpoints, being a bit more indirect can often be more effective.

Rather than starting with information, start by encouraging people to be more open minded and ____.

This is why expressing doubt ____ help.

Showing that we're conflicted or uncertain makes us seem less ____.

Expressing doubt about one's own view ____ that conflicting beliefs are valid, making the other side feel validated and more willing to listen.

It recognizes that issues are complicated or nuanced, which ____ receptiveness.

Uncertainty signals an openness to ____ perspectives.

So particularly when issues are controversial or ____ are dug in, expressing a little doubt can actually be more persuasive.

The unity of science and philosophy in the old classical ____ was perhaps best described by the famous tree of Descartes: The roots of this tree corresponded to metaphysics (the intelligible principles), the trunk to physics (statements of intermediate generality), and the branches and fruit to what we would call applied science.

He regarded the whole system of science and philosophy as we today regard science alone; he felt that the ____ principles were ultimately justified by their "fruits," not merely by their self-evidence.

What we today call applied science consisted for him not ____ in mechanics but also in medicine and ethics.

The difficulty was that from the general principles of ____ or Aristotelian science-philosophy no results could be derived which were precisely in agreement with observation, but these principles seemed to be intelligible and plausible.

So the tree was cut in the ____.

For the derivation of technical results, it was necessary to start ____ the physical principles in the trunk.

Science in the ____ sense was to think only of how the fruits would develop from the trunk without regard to the roots.

Good ____ writing is often as much technique as it is talent, sometimes more.

The best narrative nonfiction ____ often turn to time-honored tools of fiction writers for effect: plot and pacing, character and drama, and, yes, suspense.

And they understand that a good story just can't spread ____ in all directions like a serving of spaghetti.

The story needs form, shape, a structure designed to pull the reader ____ start to finish.

"The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the ____ of temples or fine violins," writes Jon Franklin.

Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science writers ____ to build an effective story.

I think of this approach as journalistic ____.

Once a writer has the story blueprints in hand, so to speak, then he or she can decide which structure best fits the facts of the story ─ and where to slot them ____ place.

If you want to bring something into shared reality for the purpose of social coordination, you have to ____ it, or at the very least label it.

Even the ideally objective pursuit of science is unable to escape the framing ____ of language.

____ all collective culture, science is constructed on report, reason, debate, negotiation, justification, consensus, and, most important, coordination.

And ____ of these things depend on language.

Even something as fundamental as particle physics ____ on language in a particular way.

I don't mean that ____ physics wouldn't exist if we didn't describe it.

Particle physics is part of brute reality and so it will carry on independent of ____ human agreement or understanding of what it is.

But consider this remark by Michael I. Jordan, referring to the "infinite potential well" model, which studies how a single particle ____ in a small, enclosed space:

"A particle in a potential well is optimizing a function called the ____ function.

The particle doesn't ____ that. There's no algorithm running that does that.

It ____ happens. It's a description mathematically of something that helps us understand as analysts what's happening."

In ____, humans are known to have the largest and most visible sclera ─ the "whites" of the eyes ─ of any species.

This fact intrigues scientists, because it would seem actually to be a considerable obstacle: imagine, for ____, the classic war movie scene where the soldier dresses in camouflage and paints his face with green and brown color ─ but can do nothing about his noticeably white sclera, beaming bright against the jungle.

There must be some reason humans developed it, despite its obvious ____.

In fact, the advantage of visible sclera ─ so goes the "cooperative ____ hypothesis" ─ is precisely that it enables humans to see clearly, and from a distance, which direction other humans are looking.

Michael Tomasello showed in a 2007 study that chimpanzees, gorillas, and bonobos ─ our nearest cousins ─ follow the direction of each other's heads, whereas human infants follow the direction of ____ other's eyes.

So the value of looking someone in the ____ may in fact be something uniquely human.

Hans Hofmann was one of the most influential art teachers of the ____ century.

____ on March 21, 1880 in Germany, he moved to Munich with his family.

____ he was a teenager, Hofmann produced scientific inventions, including a radar device.

In 1904, he moved to Paris, ____ he was deeply affected by the expressive use of color that distinguished the paintings of Henri Matisse and Robert Delaunay.

He opened his ____ school, the Schule fur Bildende Kunst(School of Fine Art), in Munich in 1915.

In 1930 Hofmann moved to the United States, where he taught at the Art Students League in New York City and later opened his own Hans Hofmann ____ of Fine Arts.

By 1939, he was able to break away from the Expressionistic ____ and still lifes he had painted in the early 1930s.

At the age of 85, he was still very active in his studio, and ____ approximately 45 paintings.

We lack a sufficient vocabulary for making sense of the sources of ____.

The more scientific knowledge we accumulate, the better we understand that the ignorance over which the knowledge enterprise is built is ____ deep.

For instance, it turned out that psychoanalysis's attempt to ____ the sources of error by categorizing the kinds of mistakes to which humans are subject in light of the therapeutic situation in the talking cure draws on misguided assumptions about the normalcy conditions for subjects.

Digging deeper into the structure of the human mind as well as ____ the specific embodiment of human knowers equipped with a complex nervous system showed that our mental life is filled with illusions on all levels of knowledge acquisition, from sensation to perception, from scientific discourse to the use of technology based on the latest scientific discovery.

Yet, once again, we cannot make sense of this picture of ourselves as immersed in the area of ignorance and illusion without at the same time relying on a huge background of ____, objective knowledge that makes our ignorance available to us.

____ and objectivity are interwoven with our fallibility.

Surely one reason that copies ____ lost their sense of human connection, abundance, and intimate relation is that modern technology has made copying so easy.

The methods of copying available to us have never been more powerfully ____.

This seems true even as a sense of loss has attended our ever more powerful means to reproduce ____ we care about.

Walter Benjamin has ____ formulated this loss as an "aura": that which is lost in mechanical reproduction.

The aura of a work of ____, he suggests, cannot be copied by mechanical technology.

By around 1900, he writes, "technical reproduction had reached a standard that not only permitted it to reproduce all transmitted works of art and thus to cause the ____ profound change in their impact upon the public."

The ____ to copy mechanically "substituted a plurality of copies for a unique existence," Benjamin argued.

In ____ to transforming art and the public's relation to it, Benjamin asserted that mechanical reproduction has the power to rend traditions by interfering with the authority of objects "embedded in the fabric of tradition."

This threat to tradition was twofold and concerned the presence of objects, ____ believed.