2025년 3월 고3 모의고사 변형 (18-30번)

____ School Officials, Thank you for deciding to participate in the upcoming 2025 Student Art Exhibition.

Our organization's event has been a platform for ____ the artistic talents of young students for a decade.

After reviewing the applications we've received, we can't wait to exhibit your students' ____.

____, please note that there has been a change to the submission deadline for your students' work.

The deadline is April ____ instead of March 28th.

Please send the work to the address of which we have ____ notified you.

Sam had ____ dreamed of becoming a musical actor, and today was his big chance — a life­changing audition.

He had practiced ____ and was perfectly ready.

He couldn’t even think of not ____ the role.

When his name was called, Sam stepped onto the stage, with his head ____ high and his shoulders held back.

The judges’ eyes were fixed on ____ as he appeared on the stage.

But then, without ____, his mind went completely blank.

The opening line he had rehearsed so ____ times didn’t come to him.

He opened his mouth, but no ____ came out. Frustration started to set in.

In the ____, Sam couldn’t believe that he couldn’t say a single line.

People have an anti-persuasion radar or defense system that goes off ____ someone is trying to persuade them.

The more something or someone disagrees with ____, the less likely they are to listen.

Consequently, one reason change is so ____ is that people are unwilling to even consider information that goes against their beliefs.

As a result, when dealing with opposing viewpoints, being a bit more indirect can ____ be more effective.

Rather than starting with information, start by encouraging people to be more ____ minded and receptive.

This is why expressing doubt can ____.

Showing that we're conflicted or uncertain makes us seem ____ threatening.

Expressing doubt about one's own view acknowledges that ____ beliefs are valid, making the other side feel validated and more willing to listen.

It recognizes that issues are complicated or nuanced, which increases ____.

Uncertainty ____ an openness to other perspectives.

So particularly when issues are controversial or people are dug in, expressing a little doubt can ____ be more persuasive.

The unity of ____ and philosophy in the old classical sense was perhaps best described by the famous tree of Descartes: The roots of this tree corresponded to metaphysics (the intelligible principles), the trunk to physics (statements of intermediate generality), and the branches and fruit to what we would call applied science.

He regarded the whole system of science and ____ as we today regard science alone; he felt that the metaphysical principles were ultimately justified by their "fruits," not merely by their self-evidence.

____ we today call applied science consisted for him not only in mechanics but also in medicine and ethics.

The difficulty was that from the general principles of Cartesian or Aristotelian science-philosophy no results could be derived which were precisely in agreement with observation, but these ____ seemed to be intelligible and plausible.

So the ____ was cut in the middle.

For the derivation of technical results, it was necessary to ____ from the physical principles in the trunk.

Science in the new sense was to ____ only of how the fruits would develop from the trunk without regard to the roots.

Good narrative writing is ____ as much technique as it is talent, sometimes more.

The best narrative nonfiction writers often turn to time-honored tools of fiction writers for effect: plot and pacing, character and ____, and, yes, suspense.

And they understand that a good story just can't spread out in all ____ like a serving of spaghetti.

The story needs form, shape, a ____ designed to pull the reader from start to finish.

"The craftsmanship of the writer is no less beautiful than that of the cabinet maker or the builder of temples or fine violins," ____ Jon Franklin.

Yes, this may sound grandiose, but the emphasis on craftsmanship is pure pragmatism: a knowledge of the basic structures that narrative science ____ use to build an effective story.

I think of this ____ as journalistic architecture.

Once a writer has the story ____ in hand, so to speak, then he or she can decide which structure best fits the facts of the story ─ and where to slot them into place.

If you want to bring something into shared reality for the ____ of social coordination, you have to describe it, or at the very least label it.

Even the ideally objective pursuit of science is unable to escape the framing effects of ____.

Like all collective culture, science is constructed on report, reason, debate, negotiation, justification, ____, and, most important, coordination.

And all of these things depend on ____.

Even something as fundamental as particle ____ depends on language in a particular way.

I don't mean that particle physics ____ exist if we didn't describe it.

____ physics is part of brute reality and so it will carry on independent of any human agreement or understanding of what it is.

But consider this remark by Michael I. Jordan, referring to the "infinite potential well" model, ____ studies how a single particle behaves in a small, enclosed space:

"A particle in a ____ well is optimizing a function called the Lagrangian function.

The ____ doesn't know that. There's no algorithm running that does that.

It just happens. It's a description ____ of something that helps us understand as analysts what's happening."

In ____, humans are known to have the largest and most visible sclera ─ the "whites" of the eyes ─ of any species.

This fact intrigues scientists, because it would seem actually to be a considerable obstacle: imagine, for example, the classic war ____ scene where the soldier dresses in camouflage and paints his face with green and brown color ─ but can do nothing about his noticeably white sclera, beaming bright against the jungle.

There must be some reason humans developed it, despite ____ obvious costs.

In fact, the advantage of visible sclera ─ so goes the "cooperative eye hypothesis" ─ is precisely that it enables humans to see clearly, and from a ____, which direction other humans are looking.

Michael Tomasello showed in a 2007 study that chimpanzees, gorillas, and bonobos ─ our nearest cousins ─ follow the direction of each other's heads, ____ human infants follow the direction of each other's eyes.

So the value of looking someone in the eye may in fact be ____ uniquely human.

Hans Hofmann was one of the most ____ art teachers of the 20th century.

Born on March 21, 1880 in Germany, he moved to Munich with his ____.

When he was a teenager, Hofmann produced scientific inventions, including a ____ device.

In 1904, he moved to ____, where he was deeply affected by the expressive use of color that distinguished the paintings of Henri Matisse and Robert Delaunay.

He opened his first school, the ____ fur Bildende Kunst(School of Fine Art), in Munich in 1915.

In 1930 Hofmann moved to the United States, where he taught at the Art Students League in New ____ City and later opened his own Hans Hofmann School of Fine Arts.

By 1939, he was able to break away from the Expressionistic landscapes and still lifes he had painted in the early ____.

At the age of 85, he was still very active in his ____, and completed approximately 45 paintings.

We lack a sufficient ____ for making sense of the sources of error.

The more scientific knowledge we accumulate, the better we understand that the ignorance over which the knowledge enterprise is built is ____ deep.

For instance, it turned out that psychoanalysis's attempt to delimit the sources of error by categorizing the kinds of mistakes to which ____ are subject in light of the therapeutic situation in the talking cure draws on misguided assumptions about the normalcy conditions for subjects.

Digging deeper into the structure of the human mind as well as into the specific embodiment of human knowers equipped with a complex nervous system showed that our mental life is filled with illusions on ____ levels of knowledge acquisition, from sensation to perception, from scientific discourse to the use of technology based on the latest scientific discovery.

Yet, once again, we ____ make sense of this picture of ourselves as immersed in the area of ignorance and illusion without at the same time relying on a huge background of shared, objective knowledge that makes our ignorance available to us.

Subjectivity and ____ are interwoven with our fallibility.

Surely one reason that copies have lost their sense of human connection, abundance, and intimate relation is that modern technology has made ____ so easy.

The methods of copying available to us have never ____ more powerfully abundant.

This seems true even as a sense of loss has attended our ever ____ powerful means to reproduce what we care about.

Walter Benjamin has famously formulated this loss as an "____": that which is lost in mechanical reproduction.

The aura of a work of art, he ____, cannot be copied by mechanical technology.

By around 1900, he writes, "____ reproduction had reached a standard that not only permitted it to reproduce all transmitted works of art and thus to cause the most profound change in their impact upon the public."

The ability to copy mechanically "substituted a plurality of copies for a unique existence," ____ argued.

In addition to transforming art and the public's relation to it, ____ asserted that mechanical reproduction has the power to rend traditions by interfering with the authority of objects "embedded in the fabric of tradition."

This threat to tradition was twofold and concerned the presence of objects, ____ believed.